[“His ability to believe in the realness of other people waned, and he arrived at the concept of ‘fleetingly-improvised’ people.” – Rosemary Dinnage]
Yes, the Old One improvises people the way a screenwriter invents a character here, another there, but then perhaps says, “No, I don’t like that scene,” deleting it, its characters futilely pleading to live again in a different scene, have a different chance at life, perhaps in a sequel after that single, original, death.
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